Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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Loren Mazzacane Connors/Christina Carter, "Meditations on the Ascension of Blind Joe Death Vol. One"

John Fahey was a master musician, completely redefining the guitar andpioneering several styles that are distinctly and wholly his own. BlindJoe Death was a name he ascribed to a few tracks on his first album ofthe same name. John Fahey is Blind Joe Death and, as the sleeve of thisrecord suggests, Blind Joe is still very much alive. Loren MazzacaneConnors and Christina Carter (along with artist Conrad Capistran andByron Coley) have composed the first in a proposed series of duorecordings dedicated to the memory and work of John Fahey.
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Mouthus, "Loam"

Psychedelic music has been getting a lot of attention lately, but I'mhard pressed to find anything with such a tag to be truly psychedelic.The first side of this LP from the duo of Brian Sullivan and NateNelson was refreshing for that reason. A vaguely rhythmic series ofchoppy and sloppy hi-hat smacks and tom pops lays out the framework forvibrating guitar noise and deeply running bass hums throughout thefirst side of Loam.
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TARWATER, "THE NEEDLE WAS TRAVELING"

I have to admit that I'd previously never been a huge fan of Tarwater, despite their being an integral part of the German electro/pop scene with a direct connection to one of my favorite groups in the last five or so years: To Rococo Rot.

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Severed Heads, "Rotund For Success"

The fifth full length from Australia's own Severed Heads lies somewhat comfortably on the timeline of the project's natural progression from dark industrial (Dead Eyes Opened 83) towards more accessible dance (Dead Eyes Opened 94). Released in 1989 on the Nettwerk and Volition labels, the album spawned a trio of dancefloor designed singles that by themselves warrant this reissue by the highly regarded LTM Publishing imprint, known for giving similar treatment to albums from Section 25 and 23 Skidoo.
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Asmus Tietchens, "Litia"

This marks the fifth in Die Stadt's ongoing Tietchens reissue campaignand the last of the artist's early works to be released initially bySky Records. The sound is similar to the previous Sky discs and closestto the best of the five, Biotop and Spät Europa.
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BARDO POND, "CYPHER DOCUMENTS I"

This is the first in a projected series collecting studio material thatappeared on singles, compilations and other formats. This first volumecompiles seven tracks that were originally available briefly as freeMP3 downloads from Bardo Pond's website.
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Piano Magic, "Open Cast Heart"

Since their formation in 1996, the only thing that has stayed the same about Piano Magic is how much they've changed. That and Glen Johnson, the only fixture of the group, which includes a revolving door lineup of musicians who come and go like breathing over the course of the project's numerous albums, EPs, soundtracks and compilations.

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aeolian string ensemble, "eclipse"

While the Aeolian String Ensemble might not be a household name aroundthese parts, David Kenny, the man behind the "ensemble," should berecognized from the credits of some of the fans' most favorite Current93 and Nurse With Wound releases as well as production on SPK's "InFlagrante Delicto" and the first Cyclobe record. "Espacios" opens thisthree-song release like a fog drifting into the dark night.
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Eluvium, "Talk Amongst the Trees"

Eluvium differs from his fellow electronically-damaged guitar virtuosos(Fennesz, Remedios, et alii) by his insistence on repetition. He findsa hook and sticks with it, unapologetically and uncompromisingly. Thisisn't to say that Matthew Cooper's songs sound repetitive. There can berepetition without attaching the stigma of repetitive dreariness.
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MASHA QRELLA, "UNSOLVED REMAINED"

Aside from her quirky, yet laid back style of songwriting andperformance, the thing that stands out on Berlin-basedsinger/songwriter Masha Qrella's second solo recording, Unsolved Remained, is the distinct care and quality put into its production. Her 2003 debut, Luck,had been recorded mostly in secret at her home with little outsidehelp.
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