Brainwashed Radio: The Podcast Edition

Dental trash heap in Saigon photo by Krisztian

We made it to 700 episodes.

While it's not a special episode per se—commemorating this milestone—you can pretty much assume that every episode is special. 

This one features Mark Spybey & Graham Lewis, Brian Gibson, Sote, Scanner and Neil Leonard, Susumu Yokota, Eleven Pond, Frédéric D. Oberland / Grégory Dargent / Tony Elieh / Wassim Halal, Yellow Swans, 
Skee Mask, and Midwife.

Dental waste in Saigon photo by Krisztian.

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GREEN MILK FROM THE PLANET ORANGE, "CITY CALLS REVOLUTION"

This is the second Beta-Lactam Ring release for the Japanesepsychedelic rock group with possibly the worst band name in modernmusic (outside of emo atrocities like Alongside Magenta and A Month ofSomedays). It might be a good idea for the trio of dead k, T and A tochange their name to something a little more marketable, as the musicisn't bad, really.
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Richard Ramirez & Skin Crime, "Pleasure, Commerce, & Disease"

Harsh noise can be fairly boring stuff, but when done properly, thekind of destruction it can unleash (especially live) is impressive,perhaps reaching that apocalyptic level so many reach for. Both RichardRamirez and Skin Crime are seasoned veterans but they've both foundtheir way to the Troniks/PACrec label for this effort in obliterationand, sadly, the results are a bit mixed.
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MICE PARADE, "BEM-VINDA VONTADE"

NYC multi-instrumentalist Adam Pierce's Obrigado Saudadewas one of my favorite discs of last year; a most splendid mixture ofpop, jazz and Brazilian-inspired musics crafted with catchy hooks,memorable melodies and cool beats of various time signatures. What waseven more impressive was that Pierce hadn't relied on many guests topull off this recording, yet the performances are totally tight fromstart to finish.
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Nacht Plank, "Septs Vents"

Everything on this record screams of biological energy; the music casts a shadow over the room the second it begins and, as it continues, strange flora begins to bloom from it left and right. Lee Norris' work in Metamatics has little to do with this more abstract moniker and it's of little surprise that the Lampse label has decided to make Septs Vents its inaugural release.

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bearsuit, "cat spectacular"

They wear silly costumes onstage, are unabashedly sweet and sugary,utilize an arsenal of childish instruments (recorders, xylophones,possibly a Flintstone Phone), and basically make any of their fuzz popforebears look like Mayhem.
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Gruntsplatter, "Pest Maiden"

Recorded way back in 1999, Gruntsplatter's Pest Maiden7" and cassette release may not have made much of an impact on thenoise-loving public (perhaps due the limited nature of its release),but it is a fine album deserving of attention. Thus, Troniks/PACrec hasmade the split-up release one monstrous album and Scott E. Candey hasremixed the material especially for the occasion.
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Art of Fighting, "Second Storey"

The first time I put on this CD I turned it off shortly after. Ibelieve I grumbled something along the lines of "Radiohead tributeband." Listening back to it over the last few days I realise I wassorely mistaken, Second Storeyis a lovely piece of work.
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EARTH, "LIVING IN THE GLEAM OF AN UNSHEATHED SWORD"

One of a recent clutch of new(er) releases by Earth, Living in the Gleam of an Unsheathed Swordcontains two live tracks, both recorded in 2002 as Dylan Carlson andAdrienne Davis reunited in for a series of live shows in the US andEurope. Earth's music has become something of an obsession for thosetuning into the current wave of imitators — Sunn O))), Black BonedAngel, Boris, etc. — but for those who were listening to Earth backduring early 1990s Sub Pop years, recordings like this seemanachronistic and retrograde.
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Haino Keiji, "Black Blues"

Haino's own homage to the blues begs the question of whether he hasalways burdened himself with a bluesman's ax to grind. Starkprimitivism is ubiquitous, even as the artist introduces new strategyor restraint in a work. In recent years, Haino has taken classicalguitar through the black-on-black, slow-utterance machine that is hisstyle, and this year also marked his first solo electronic album,instruments pushed not to their own limits, but to Haino's redefinedlimits of his own art.
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CURRENT 93, "AT SUNSET BLACK SHIPS ATE THE SKY"

This unassuming CDEP was made available at the recent Toronto shows,but the people working the merchandise table were mysteriouslytight-lipped about its contents. The packaging contains no informationother than arcane Coptic Greek text printed in gold on a blackbackground: "PSHOUO NMEHPSAITSHOMTE: NTNAU NH�TP MPR� AHENJ�U EUK�MOUEM TPE."
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