Godspeed's caterwauling Efrim pummels out another Silver Mt. Zionrelease complete with an elaborated band name. Each subsequent releaseappends another piece on the original A Silver Mt. Zion appellation.
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Jason Molina seems to be getting all the wrong kind of attention. Pegged as a follower and adherent of any number of past songwriters, Molina's distinct voice and his band's broad musical range often goes ignored in favor of unnecessary name dropping and undeserved, negative comparisons.
Followers of Michael Gira's storied career might have anticipated his latest work with The Angels of Light as a natural reduction of his emotional approach to songwriting to its most basic form.
Section 25 were always a difficult proposition, because they were
really two bands. First, there was the late-1970s incarnation typified
by the debut album Always Now,
produced by Martin Hannett. At this phase of the band's career, the
group wore the Factory uniform through and through, pumping out bleak,
claustrophobic noise-rock owing a tremendous debt to Joy Division. This
version of Section 25 has not aged well at all, and only record
collectors and Factory fetishists actually like the music. The other
Section 25 began around 1983-4, after some personnel shifts and a
complete 180-degree change in musical strategies. Instead of
sour-faced, doomy boredom, the band embraced keyboard programming,
synthesizers and the Roland 303, producing excellent, influential early
techno that has held up surprisingly well through the years. For those
who enjoy charting the connections between the proto-electro of
Detroit/Chicago and the more stiff, angular white-boy dance and funk of
the early 1980s Manchester scene, Section 25 are ground zero. This DVD
contains both incarnations of the band, but leans heavily on the latter
phase of their chronology, which is more than fine by me. The DVD
begins with a nine-song set captured at London's ICA in the summer of
1980, and it's predictably faceless and largely uninteresting. Then
there is a set of clips from various venues dating from 1981 to 1984,
and things start to get interesting. A promotional video for "Looking
From A Hilltop" is suitably retro and quite a lot of fun, even though
the band is just miming to the recorded version of the song. The best
material comes from two shows dating from 1985, one at Chicago's Metro
Club and another at Prince's First Avenue club in Minneapolis. Section
25 is at the height of their powers here, unleashing addictively
futuristic proto-acid techno with dual live drumming, breathy vocals,
dramatic keyboard melodies and a galaxy of weird sound effects. Even at
this stage, however, Section 25 were still performing more
rock-oriented material, though it has now been retrofitted with banks
of synthesizers, Human League-style. The video and sound quality varies
wildly across the disc, but most of the best performances are watchable
and enjoyable. At over two hours, this is a generous package and a
must-have for fans of this nascent period of techno. 
