Brainwashed Radio: The Podcast Edition

Solstice moon in the West Midlands by James

Hotter than July.

This week's episode has plenty of fresh new music by Marie Davidson, Kim Gordon, Mabe Fratti, Guided By Voices, Holy Tongue meets Shackleton, Softcult, Terence Fixmer, Alan Licht, pigbaby, and Eiko Ishibashi, plus some vault goodies from Bombay S Jayashri and Pete Namlook & Richie Hawtin.

Solstice moon in West Midlands, UK photo by James.

Get involved: subscribe, review, rate, share with your friends, send images!

Amazon PodcastsApple PodcastsBreakerCastboxGoogle PodcastsOvercastListen on PocketCastsListen on PodbeanListen on Podcast AddictListen on PodchaserTuneInXML


Skates, "Lord of the Rinks"

People who can't rap shouldn't and programmers with some degree of ability shouldn't bother enlisting those tired vocalists when they aren't needed. Point in case: Todd Drootin of Books on Tape makes some mildly entertaining, low-end electronic fuzz dependent on bass and drums and then decides that it must be too boring to stand alone.

Continue reading

Reuter/Boddy, "Pure"

There won't always be room for new, instrumental, and rhythmicelectronic music. Albums like this one suggest that only so many synthpads and sampled instruments can be combined in an entertaining andquality way. At first Pureis a pretty album—sliding like a slow mass of ice over the surface of astill body of water.
Continue reading

maximilian hecker, "lady sleep"

On his third full-length album, Maximilian Hecker has truly establishedhimself as a fantastic pianist, composer, and arranger. Lady Sleepopens with the climactic piano melody of "Birch." It sets the scenemuch like a tragic love story: patient and powerful, set against lushstrings and underscoring Hecker's frail voice.
Continue reading

Low, "The Great Destroyer"

It's difficult for a band with ten years and a solid reputation of having a signature sound to take a bold step without feeling the repercussions. While The Great Destroyer is shockingly different for a Low album, rest assured that all the elements people have grown to love are still in the mix. The first three songs rush the album in with a fierce tempo—much faster than what Low are expected to do—and layered fuzzy organs and chunky guitars over thumping rhythm lines and buried acoustic guitars.
Continue reading

Nurse With Wound, "Drunk with the Old man of the Mountains"

In the post-World Serpent world, it's refreshing to see a tastefullooking, properly packaged, elegant layout on a Nurse With Woundrelease which isn't completely driven by capitalism or auctionable (oreven questionable) "special" editions.
Continue reading

Oh No, "The Disrupt"

Longtime hip-hop journeyman Oh No's long awaited debut full-length isvibrant, musically diverse, and best of all refreshingly-gimmick free.The son of a jazz trumpeter and a soul/jazz composer, Oh No was signedto Stones Throw nearly five years ago, in no small part due to hisprolific older brother Madlib (of Madvillian, Jaylib, Lootpack,Yesterday's New Quintet and Quasimoto fame).
Continue reading

Mike Cooper, "Reluctant Swimmer/Virtual Surfer"

Mike Cooper has been making music far longer than I've been alive. Hebegan his career as a folk-blues guitarist and singer-songwriter in the1960s, moved on to working with London's most prominent improv groupsin the 1970s, and in the 1980s and 1990s he gradually began toincorporate greater experimentation into his music. In contrast to manyartists who grow tame in their old age, Cooper, now in his sixties, ismaking the most adventurous music of his life.
Continue reading

BEEQUEEN, "THE BODYSHOP"

I would never have expected a group like Beequeen to record an album like The Bodyshop.The duo of Frans de Waard and Freek Kinkelaar first became associatesbecause of their mutual love for The Legendary Pink Dots, and since1990 they've been recording and releasing (quite prolifically) asBeequeen.
Continue reading

LARSEN, "PLAY"

Despite being a fairly straight-forward instrumental rock unit, Larsenhave nonetheless willfully cultivated a hopelessly enigmatic image forthemselves. Everyone has heard the story of how M. Gira came to producethe Italian group's second album Reverby now, and while the story might well be total bullshit, it hassuccessfully perpetuated an air of mystery and intrigue around theband.
Continue reading

Johan Skugge, "Volume"

"Bring Me On" begins the album with some quality Force Tracks stylevocal tech house, adorning guest Laura Delicata's hypnotically effectedvoice with airy pads and funky bleeps. Delicata returns a few songslater on "Decandence," the album's first single and certainly worthy ofsuch treatment.
Continue reading