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Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images! |
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It has been a few years since this German trio, comprised of brothers Ronald and Robert Lippok and Stefan Schneider, released their Kölner Brett and Pantone EPs, although members have been busy with other notable projects such as Tarwater and Mapstation. For the better part of their latest disc, Hotel Morgen, they appear to have fallen back on their unique compositional style and structures, use of instrumental and electronic-based sounds and space, which has made them one of my favorite groups, but without the type of sit-up-and-take-notice advances I expected after such a hiatus.
Listening to German-based Margareth Kammerer is almost as difficult as attempting to read German without some kind of pocket dictionary. Her style is pale and remote, her attitude near the border of nonexistent, and her references obscure. It's to my benefit that B. Fleischmann, Philip Jeck, and Chris Abrahams are all over this record because, as interesting as her poetic deliveries can be, the semi-charming resonance that marks this recording simply wasn't doing it for me by itself.
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Digital Lifeforms marks the point where Richard H. Kirk, formerly a dour, paranoid composer, released a happy, intelligent, danceable album. Originally released on Touch in 1993, the disc consists of ten distinct, separate, non-experimental tracks, all upbeat and surprisingly commercial (although without sounding naive, obvious or shit). For those who weren't able to get the original copy twelve years ago, this expanded version is now available.