I hate to use the phrase "return to form" to describe this album, as I have enjoyed most of Lawrence English's divergent recent efforts quite a bit, but Wilderness of Mirrors reminds me favorably of the darker, heavier albums that brought him to my attention in the first place (such as Kiri No Oto and It's Up To Us To Live).  Characteristically, English also offers an intriguing concept on Wilderness, but the primary appeal is simply that it is wonderful to finally get another substantial offering of what he does best.  That said, this effort does offer a few surprises, as Lawrence has picked up a few neat tricks from folks like My Bloody Valentine and Swans since he last surfaced in heavy drone mode.