Brainwashed Radio: The Podcast Edition

Solstice moon in the West Midlands by James

Hotter than July.

This week's episode has plenty of fresh new music by Marie Davidson, Kim Gordon, Mabe Fratti, Guided By Voices, Holy Tongue meets Shackleton, Softcult, Terence Fixmer, Alan Licht, pigbaby, and Eiko Ishibashi, plus some vault goodies from Bombay S Jayashri and Pete Namlook & Richie Hawtin.

Solstice moon in West Midlands, UK photo by James.

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Black Spirituals, "Of Deconstruction"

cover imageAs a duo of drummer Marshall Trammell and guitarist/electronic specialist Zachary James Watkins, Black Spirituals work with unconventional arrangements. The immediate reference point I thought of, Lightening Bolt, is anything but appropriate as far as music goes. While that duo's sound was based upon rapid-fire freak-outs and spastic thrashing, Trammell and James are more deliberate, methodical, and disciplined, but no less thrilling or engaging.

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Blood Bright Star, "The Silver Head"

cover imageBlood Bright Star's Reuben Sawyer might be primarily known as a visual artist, but his growing discography as a musician indicates that he is a man of many talents. The Silver Head, a four song 12" has him locking into a classically minimalist groove that pulls brilliantly from post punk, krautrock, and metal. The results retain just the right amount of experimentation, while still resulting in a memorable suite of songs.

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Marble Sky

cover imageAlthough Jeff Witscher is best known these days for his work as Rene Hell, he has actually been on the scene for quite a long time and has cycled through a number of both guises and styles.  One of his more beloved early projects was this one, which was reserved for his ambient drone work.  Unfortunately, most of Marble Sky's releases were only available as limited-run cassettes, so this collection of that rare material is quite a useful and timely one.  While there is probably nothing here that anyone will find stylistically revelatory in 2014, Witscher's execution is quite superb, striking the perfect balance between dreamy bliss and frayed, static-gnawed edges.

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Raglani, " Of Sirens Born"

Joseph Raglani uses sine/square wave generator, synth, guitar, voice, melodica, flute and electronics on five intriguing and accessible pieces. The engaging tension, emotional depth and narrative sensibility in Of Sirens Born feels similar to watching a film about explorers entering a strange landscape.
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Legendary Pink Dots, "Plutonium Blonde"

The Dots are as focused and as diverse a group as I can name. For over 25 years they've been releasing record after record of bizarre and colorful music. Even with such a voluminous catalog behind them, their output remains completely unique and peerless. Plutonium Blonde is a trance-like, somewhat awkward record that meshes their eccentric pop sensibilities with dark, aggressive machine music.
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"Le Groupe Surréaliste Révolutionnaire, Dotremont et Broodthaers, Volume 3"

cover imageAs well as releasing some of the most important and exciting music of the 20th and 21st centuries, Sub Rosa have also acted as archivists when it comes to recordings of important non-musical artists. Previous releases from their aural documents wing include fantastic recordings by Marcel Duchamp, James Joyce, W.S. Burroughs and a series of recordings covering avant garde art in Belgium over the course of the 20th century. This third volume in this Belgian art series covers the main movers and shakers of Belgian contemporary art from just before the Second World War up to the late 1970s. Overall it is a valuable but flawed document that needs more supplemental material to be fully of use to the public and academia at large.
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Jesse Pep'er, "Autophagia"

cover image Visual artist Jesse Pep'er, whose hallucinatory artwork adorns the covers of albums by the likes of Edward Ka-spel, Maëror Tri, and Kenji Siratori, finds inspiration in similar territory for his debut album. While not every song evokes the same majestic grotesquerie as his paintings, the best tracks are every bit as otherworldly on this solid, if a bit uneven, album.
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Mort Douce, "Locust Dreams"

cover image The latest from Poland's Mort Douce is named after a poem by John Siddique. Given the title, I expected to be besieged with insect chittering or else the maddening rush of descending swarms. Instead, the sounds are almost geological, like dropping a microphone into the center of the Earth and amplifying minute tectonic shifts, documenting the secret life of continents.
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Wicked Messenger, "Black Tourmaline"

Using mostly guitar, Martin Kränzel explores foreboding vistas on his latest album as Wicked Messenger.  He makes the instrument almost unrecognizable in his depiction of gathering darkness and thunderous portent.  Heavy and chilling, these five tracks do an excellent job of sustaining a mythology of dread.
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C.db.sn, "Into the Deep"

On this album, C.db.sn (aka Chase Dobson) makes beat-driven electronic music named after a variety of sea creatures like moral eels, anemone, and jellyfish. It's an appropriate theme, for this music, like the ocean, simultaneously soothes and invigorates a restless mind. While some of it may seem a little straightforward, Dobson adds enough emotional textures to keep the songs both absorbing and refreshing.
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