Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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JANDEK, "WHEN I TOOK THAT TRAIN"

It's no secret that 2004 was a banner year for the mysterious andprolific Texas artist who records as Jandek. Not only was it the firstyear that Corwood Industries released four albums in one year, the yearalso saw the release of Chad Freidrichs' documentary Jandek on Corwood,and the man himself made his first public appearance at a surprise gigat Glasgow's Instal Festival.
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Jandek, "Glasgow Sunday"

Only a couple of years ago, the mere suggestion that Jandek would ever come out of hiding to perform live at a series of festivals in Scotland would have seemed the height of absurdity. What a difference a day makes, and in this instance that day was October 17, 2004 at The Arches in Glasgow, Scotland, the place where the improbable became reality.
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Jane, "Berserker"

Mistaking this band for nothing more than an Animal Collective sideproject would be silly; it is clear that this duo has a distinctpurpose from the second "Berserker" begins: they're out to record thevoice of ghosts and the sound of the underworld.
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Nudge, "Cached"

Honey Owens of Jackie-O Motherfucker, Paul Dickow of Strategy andFontanelle, and Brian Foote, also of Fontanelle, form a bio-organicunit filled to the brim with all manner of exotic sounds and strangeinteractions. Combining sequenced and processed composition with liveand acoustic elements, this trio flies back and forth between jazzy,dub-influenced sounds, punk attitude, and spacious, dark atmosphereshighlighted by Owens' seductive voice.
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Rhythm & Sound, "See Mi Yah"

Infamous among club DJs and producers for the deep tech-house styleincubated and pushed forward by their still potent Basic Channel andMaurizio records, Germany's Mark Ernestus and Moritz Von Oswald took amost adventurous step when they departed from the dancefloor for thelabor of love known as Rhythm & Sound.
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The Hafler Trio, "Being a Firefighter isn't Just About Squirting Water"

The Hafler Trio's latest EP for Important is pretty much as expected ofthe series: one twenty minute piece of Andrew McKenzie's patentedatmospherics. The piece starts off with some soft metallic harmonics,sounding like heavily treated guitar strings.
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Excepter, "Throne"

As the members of Adult reconfirmed in last week's episode of The Eye,New York City is excessively clique-driven, obsessed with scenes,exclusivity and over-categorization. Nowhere is this more obvious thanin the current wave of so-called "Brooklyn Noise" artists, a group thatis said to include bands as various and sundry as Black Dice, Gang GangDance, Animal Collective and Excepter, among others.
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Keith Fullerton Whitman, "Multiples"

This is, by far, the best record Keith Fullerton Whitman has released. Playthroughswas an album of electronic, fuzzy bliss and his two most recent EPswere introductions to musical accomplishments Whitman had never shownbefore.
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"DOWN IN A MIRROR: A SECOND TRIBUTE TO JANDEK"

A few years ago, Summersteps Records released Naked in the Afternoon, which was billed as a tribute to Jandek, but was really just a collection of other artists covering his songs. It must have seemed like a pretty funny idea at the time, and for Summersteps, it was an opportunity to showcase their mostly unknown roster of artists. Cassie Rose and the Pickled Punks, anyone?
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Wolf Eyes, "Fuck the Old Miami"

This limited vinyl release is actually a reissue of an even morelimited live 3" CD-R. From start to finish it is relentless in itspursuit of deafness. Harsh digital noise is mixed with screeching andclangs.
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