Autonomous Addicts seems set up in every way to be yet anotherdisposable compilation of computer dance music that pads discographies,but it winds up being something much more interesting and essential.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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The new EP from Andy Cabic’s group Vetiver is a subdued affair.Cabic and Vetiver are best known for their Devendra Banhart connection(Banhart performed on Vetiver’s self titled album and Cabic is now partof Banhart’s band, Hairy Fairy).
Witha list of remixers like Prefuse 73, Four Tet, and Danger Mouse as theprinciple selling point, I expected this single from Pedro to beindulgent or repetitive, but thankfully it is neither.
Though nowhere near as willfully experimental as some of hisearlier releases, Resilience promises to be an album that will find aprominent place in Kid 606’s body of work as his most meditative and(egads!) mature.
On his first solo release, Tamburo’smastery of the guitar is on clear display. The five tracks arebeautifully resigned compositions which explore not just the musicalpossibilities of the acoustic guitar, but also its ability to—pardonthe cliché—speak to the soul.
Likea sweet and sour sauce that's been haphazardly whipped together, KFC Coremanages to balance its hard, aggro side with its silly, playful side,despite the lack of effort that seems to have gone into some of theconstruction.
This release compiles various singles, covers,and odds and ends from the Bloomington-based post-hardcore group.
Anyone who has seen 24 Hour Party People will probably remember severalscenes involving A Certain Ratio. At various points they get smearedwith sunless tanner, are told to dress like boy scouts, and play theinaugural show at Tony Wilson's towering pipedream to self-indulgence,the Hacienda, to an empty house. 
From this debut’s title, the simple typeface and ‘take me as Iam’ earthy tones of the artwork a pretty good picture can be drawn ofwhat Richard Dawson is all about; simplicity. Dawson manages to mergethe territories of traditional English music, Nick Drake miserablismsand a tipsy Daniel Johnston into an Autumn Folk collection of songsabout everyday life. 
Nowadays, most people would associate the term "electronic music" withbedroom musicians and beardos tweaking samplers and laptops; runningsoftware packed with a ridiculous amount of synth pads and beats in avirtual studio environment. It's easy to overlook the fact that one ofthe more common elements in music from the latter half of the twentiethcentury, the electric guitar, was one of the earliest "electronic"instruments.
