Old compositions from when an artist first began recording music aren'talways of musical interest. It may be nice to have a document of acomposer's work from a particular period, but this double CD release ofsome of William Basinski's earliest compositions is hard to justify asa whole. Basinski's music seems to be perpetually painted in thefeeling of melancholy; these eight pieces are, at times, painfully sadand emotive of only the deepest and most excruciating reflections.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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Ben Chasny's debut album for Drag City is the culmination of all of his work as Six Organs of Admittance up to this point. I first saw Chasny perform as Six Organs at 2002's Terrastock festival, and heard his album Dark Noontide soon after. I was struck at that time by his intuitive technique on the acoustic guitar, and the fuzzy blanket of drones that rippled underneath his extended instrumental excursions. Each release since has been stronger than the last, but every one of them seemed oddly transitional, as if Chasny hadn't yet settled on a comfortable repertoire of techniques.
