Despite being one of the more inventive and intriguing artists in the contemporary experimental music milieu, Australia's Tim Catlin is not a particularly well-known name here in the US, though he has collaborated with both Jon Mueller and Machinefabriek in the past.  It is hard to say whether or not his first full-length for Important will raise his profile though, as it easily stands as one of the most uncompromisingly hyper-minimal and outré releases from the label in recent memory.  For one, it is devoted primarily to works composed for the Vibrissae, a set of "microtonally tuned metal rod instruments" built by Catlin.  Secondly, it provides exactly what the name "Overtone Ensemble" suggests: plenty of eerily harmonizing sustained tones and little more.  As such, it is probably a hard sell for anyone not deep into the more rarified fringes of sound art, but it is a quite unique and wonderful release for those of us with ears attuned to that wavelength, at times exploring terrain not dissimilar to that of Catlin’s label mate Ellen Fullman.  Other times, it probably sounds like absolutely nothing else on earth.
Give us an hour, we'll give you music to remember. This week we bring you an episode with brand new music from Softcult, Jim Rafferty, karen vogt, Ex-Easter Island Head, Jon Collin, James Devane, Garth Erasmus, Gary Wilson, and K. Freund, plus some music from the archives from Goldblum, Rachel Goswell, Roy Montgomery. Rubber ducks and a live duck photo from Matthew in the UK. Get involved: subscribe, review, rate, share with your friends, send images! |